In English, as in different dialects, scholarly composition is infamous for dressing insipid thoughts in showy exposition, as though style were a substitute for substance. Composing for a scholastic gathering of people require not give up lucidity insofar as you can represent the unpredictability of the thought you're endeavoring to pass on. This point comes clear in Francis-Noël Thomas and Mark Turner's Clear and Simple as the Truth: Writing Classic Prose, where style—one's position on whether truth exists, regardless of whether it can be communicated in dialect, and reading's identity's—vital. Steven Pinker echoes this point in The Sense of Style, as per whom great written work (scholastic or something else) reflects clearness of thought. The better you comprehend the point you need to pass on, the better you'll express it in composing.